scarecrow editorial

A charming evening was had by all on a bitterly cold late December evening at the joint 3am Magazine/scarecrow Xmas Shindig in the hallowed Aquarium Gallery in Bloomsbury. Reading at this event were underground literary/art malcontent and all-round wind-up merchant Stewart Home, debut novelist Tom McCarthy [his extraordinary Remainder being 3am's book of the year], publisher extraordinaire [Attack! Books and imprint Neo-Attack! Books] and 3am co-chief editor Randolph Carter and myself, Lee Rourke, editor-in-chief here at scarecrow.

Not a scene as such but a gathering of like-minded souls who all eschew the current trend in publishing; this was a room packed with those who have turned their backs on the conglomerates, and ignore those vainglorious money-men who are hell-bent on sales, sales, sales, marketing and profile; those same birdbrains responsible for the horrid 3 for 2 dross in every high-street bookstore [Don't forget your coffee!], those grand panjandrums who are responsible for everything that is wrong with contemporary fiction in this country. This, quite frankly, is a new way. A reactionary crowd of literary dissidents who just want to hear a new voice, those who have evolved on their own terms and have never bowed down to the conglomerates' demands. This new way, of course, is largely due to the hard work of 3am Magazine [Buzzwords' editors Andrew Gallix and Andrew Stevens immediately spring to mind] who have, over the last 5 years, banged the drum for the marginalised and have unearthed, in the process, some of the most exciting writers of our generation [take Tony O‘Neill for instance]. Together, with the help of new publishers such as Metronome Press, an alternative route is being forged - and it's fast burgeoning into a brobdingnagian backlash, a reactionary leviathan with a sting in its tail. And it's not just happening here in London, it's happening everywhere. Long live the dissenters we say!